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House House Magazine
Home
New
Interview
Essay
Poetry
Fiction
About
Follow Our Instagram
Home
New
Interview
Essay
Poetry
Fiction
About
Follow Our Instagram

Essay

A writer's homecoming to the Self

Pavese's Other Faces

Adam Krasnoff

When Memory Becomes the Dream

The Poetics of Convalescence in Richard Siken

william o'neal ii

Everybody Wants to be Thomas Bernhard

How the Austrian novelist haunts contemporary literature

Oscar Dorr

Taylor Swift's Reputation

An excerpt from Taylor's Version: The Poetic and Musical Genius of Taylor Swift

Stephanie Burt

Light Enough to Ascend

Self-Starvation and the Pursuit of Heaven from Fasting Female Saints to Edtwt

Violetta Balkoff

The Museum as IKEA

​​On the V&A East Storehouse and Artistic Abundances

Sophie van Well Groeneveld

Optographies of the 21st Century

“Witness to what we can and cannot see”

Peter Szendy

Three Variations on Vision

“Nature is a dictionary; you find words there, and then you must make a poem”

Jean Frémon, translated by Cole Swensen

What is Cultural Criticism Today?

Hengzhi Huang Yang

Reading the Body: Simone Weil and the Perils of Hagiography

Madeleine Scott

Translating Silence: Classical Chinese and the Poetry of Li Shangyin

Chloe Garcia Roberts

The Sticking Point: The Intellectual and the Fountain Pen

Frank Y.C. Liu

Parable of the Fishers: Racial Contempt and Toni Morrison’s The Bluest Eye

Max Fan

Cinema’s Body Problem: How the Box Office Killed the Sex Scene

Emerson Rhodes

Who Will Watch the Watchers?

K. H. Ecker

Singing the Blues with Alice Notley

Voice, Authority, and Folk in In the Pines

Rachel Kamphaus

The new cultural criticism magazine that cares. Cambridge, MA since 2024.